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AS A MATTER OF FACT If you re taking a close-up portrait of someone, set your zoom lens midway between its normal setting and its extreme telephoto (long) setting Shooting a person s face with your lens as long as it can go tends to flatten the face, making it look more like a two-dimensional cutout than a person The wide-angle (short) setting is even worse, creating a distorted face with a protruding nose and bulging lips On a 35mm film camera, which uses a 50mm to 55mm normal lens, the ideal portrait focal length is 100mm How that translates to your digital camera s zoom, depends on which camera you have Because the size of the pixel array varies from camera to camera, their range of focal lengths also vary Your camera may have come with some specs that let you translate film camera focal lengths to its digital focal lengths If not, then aim for some place in the telephoto range without going to its longest setting

Blending between more than two objects can produce an effect quite unlike splitting a blend, and it s just as easy to do You click-drag between different objects on your document page Each time you do this, a new blend group is created The dynamic link is maintained between all objects in a multi-object blend, which means you can change control objects and the blends are instantly updated Figure 21-19 shows two Blend effects applied to three different objects with the multi-object blend defined in different directions Each blend of a multi-object blend is considered a separate effect; each has its own control objects with defined Start and End blend objects You can change the Start and End blend objects using the Start And End Properties pop-out menu commands, shown next, available on the Property Bar The Start and End blend objects are the key to making blends that change shape all over the place in very intriguing patterns

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FIGURE 21-19

With a blend selected, you first need to locate the Start or End blend objects choose either the Show Start or Show End command Choosing New Start changes the cursor to a targeting cursor, so you can then unlink the Blend effect from one object and target a different one Doing this creates a new effect each time a different object is targeted Choosing New End works similarly

Local resources are the resources located on the machine establishing the connection to the XenApp Server or Terminal Server These are resources such as local machine drives, locally installed print queues, the clipboard, as well as LPT and COM ports Local resource access can be controlled through two methods In previous versions of Presentation Server this was done through the Citrix Connection Configuration Console and by editing the properties of the ICA-tcp or RDP-tcp connection With XenApp 45, this tool has been removed from the toolset and now the configuration is done in the Terminal Services Configuration Console (Start | Programs | Administrative Tools | Terminal Services Configuration) The problem with this tool is that it has to be configured on each

Ill 21-8

When working with multi-object blends, clicking any blend group in the effect selects all control objects and all blend groups To select individual blend groups, hold CTRL while clicking Blend effect properties across multiple objects can only be edited individually and only while selected After a blend has been made, you might need to dismantle it and break the link between the control objects This is easily done, but keep in mind that it can t be reversed without using the Undo command (CTRL+Z) To dismantle a blend, choose the Pick Tool, right-click

17:

Avoid using a flash when you shoot portraits The flash units built into most digital cameras throw light at your subject straight on, which often flattens and washes out faces It also casts shadows just to the side of the subject that look like something out of a film noir Try to capture your portrait using natural light or in a lit studio If need be, take shades off lamps or have a friend hold a sheet of white poster board to reflect more light on your subject

CHAPTER 21:

the blend group portion, and choose Break Blend Group Apart from the pop-up menu The control objects then become separate objects, leaving the blend intermediate objects grouped To further dismantle the arrangement, select only the blend group by using the Pick Tool, and then choose Arrange | Ungroup (CTRL+U)

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