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1. Create a new text control in the detail section, as shown in Figure 21-7. 2. Display the property sheet for the new text box control. 3. Enter =[Treatment Price]+[Medication Price] in the Control Source property cell. 4. Set the Format property to Currency.

SQL Server has no inherent undo command. Once a transaction is committed, that s it. That s why the WHERE clause is so important when you re deleting. By far, the most common use of the DELETE command is to delete a single row. The primary key is usually the means of selecting the row:

Another Metacity feature of interest is the workspace switcher. Four virtual workspaces appear in the workspace switcher on the GNOME panel. You can do the following with the workspace switcher: Choose current workspace Four virtual workspaces appear in the workspace switcher. Click any of the four virtual workspaces to make it your current workspace. Move windows to other workspaces Click any window, each represented by a tiny rectangle in a workspace, to drag-and-drop it to another workspace. Add more workspaces Right-click the workspace switcher, and select Preferences. You can add workspaces (up to 32). Name workspaces Right-click the workspace switcher and select Preferences. Click in the Workspaces pane to change names of workspaces to any names you choose. You can view and change information about Metacity controls and settings using the gconf-editor window (type gconf-editor from a Terminal window). As the window says, it is not the recommended way of changing preferences, so when possible, you should change the desktop through GNOME preferences. However, gconf-editor is a good way to see descriptions of each Metacity feature. From the gconf-editor window, select apps metacity, and then choose from general, global_keybindings, keybindings_commands, window_keybindings, and workspace_names. Click each key to see its value, along with short and long descriptions of the key.

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ing is trendy But even when the trend slows down, you will always need to build your brand for a better business You might call it something else in the future: image, identity, reputation, character, or the impression you make But today it is called your brand Obviously, great organizations have great images and great brands That goes without saying Building brands takes an enormous amount of skill and talent But I think it takes more than that Have you ever wondered, Who comes up with all this Never mind who, ask yourself how The answer to how is in the answer to where Yes, where The difference between what brands are versus what they are not is where brands come from.

return true; } public boolean abort() throws LoginException { try { synchronized (monitor) { System.out.println ( Please remove your Java Card(tm) now. ); // Check the status of the terminal here } } catch (Exception e) { } if (!loginOk) { return false; } else if (loginOk && !commitOk) { loginOk = false; username = null; userPrincipal = null; } else { logout(); } shutdown (); return true; } public boolean logout() throws LoginException { // Clean up // Remove the User s Principal, URL and classname loginOk = false; commitOk = false; username = null; userPrincipal = null; url = null; className = null; shutdown (); return true; } // A Java card has been inserted. // public void javaCardInserted (JavaCardTerminalEvent jcte) { // Perform magic // } // A Java card has been removed. public void javaCardRemoved (/*JavaCardTerminalEvent jcte*/) { synchronized (monitor) { monitor.notifyAll(); }

Brands come from two places: (1) The outside, which is a place that imposes itself on the brand, or (2) the inside, which is where the true story and birthplace of the brand begin When something shapes and develops a brand externally, it s like pushing cookie dough through a cookie press The press gives the dough shape Building brands from the outside is like pushing your true story through a cookie press When we build brands from the outside we use a mold that belongs to someone else You can call it modeling or emulating, but it is duplication In the business world, we have management and clients who force their agendas on us There are creative directors and account executives with political and executive objectives There is peer pressure and self-pressure.

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